Tara's Art
Welcome to a brief display of my paintings. I work primarily with oils on canvas. I live and work in Santa Rosa, CA.
Friday, July 9, 2010
New Prints, 2009
Untitled, 12" x 12", monoprint on paper
Untitled, 12" x 12", monoprint on paper
Untitled, 12" x 12", monoprint on paper
Thursday, April 3, 2008
Paintings, 2006-2007
De-Composition, 12 canvases- each 12" x 12", oil on canvas
De-Composition (Detail), 12" x 12", oil on canvas
De-Composition (Detail), 12" x 12", oil on canvas
Sprouting Tuber, 14" x 14", oil on canvas
Root Decay, 14" x 20", oil on canvas
Withering Tuber, 16" x 20", oil on canvas
Vegetal Rot, 8" x 8", oil on canvas
Vegetal Bloom, 12" x 12", oil on canvas
Tuber Blossom, 14" x 14", oil on canvas
Bud Growth, 4" x 6", oil on canvas
Corrosion, 11" x 14", oil on canvas
Fading Rhizone, 6" x 6", oil on canvas
Germination, 14" x 14", oil on canvas
Installation
Sunday, February 3, 2008
Artist's Statement
My work investigates perceptions of beauty and the grotesque, growth and decay. I paint commonplace, organic objects such as vegetables, to explore these dualities and our culture’s discomfort with aging and death. By using paint, a traditional and “beautiful” medium, I want to create enticing portraits of organic forms caught in the process of dying. In many cases, I am drawn to the decomposition that allows the form to shrivel and die while also sprouting new life. Painting directly from the objects is an important aspect of this work, because it is through this observation of decay and rebirth that I find moments to capture.
The process of painting is very organic for me. The observation that happens in my studio lends itself to a fluctuating and intuitive method of working. As the forms decay and sprout, the paintings transform as well. Painting from life is a direct approach and allows endless modifications. Capturing a likeness of the form as well as sensitivity about its stage of life is significant. I try to create work that attracts the viewer though a beautifully painted surface, as well as the strange familiarity that these forms invoke, while also confronting our own process of growth, decay and eventual death.
The process of painting is very organic for me. The observation that happens in my studio lends itself to a fluctuating and intuitive method of working. As the forms decay and sprout, the paintings transform as well. Painting from life is a direct approach and allows endless modifications. Capturing a likeness of the form as well as sensitivity about its stage of life is significant. I try to create work that attracts the viewer though a beautifully painted surface, as well as the strange familiarity that these forms invoke, while also confronting our own process of growth, decay and eventual death.
Paintings, 2006
Paintings, 2005
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